Three days of meetings with the artist Irene Macalli to reactivate the sense of co-creation that emerged in 2012 with Ficarra libro mio. Participants will rediscover their connection to the local territory, transforming the memory of the book into a new shared creative process. The workshop will involve writing and drawing on transparent tiles using glass paints. These future memories will then be symbolically lifted into the wind through the installation Qui il vento ricorda per noi, conceived for Piazza delle Logge.

A workshop exploring the ecological, social, and symbolic dimensions of water as a collective resource, moving through places shaped by the presence of water, including springs, paths, and sanctuaries. The journey opens up a discussion on themes such as the privatization of resources and the relationship between territory and community, with the aim of collectively reflecting on a shared ephemeral architecture within the rock shelter space of Sa Corona de sa Buvera.

Through practices of listening, walking, and sensory mapping, participants in the participatory workshop led by Enrico Malatesta and Chiara Pavolucci will explore the territory through sound, co-creating maps made of perceptions, memories, and acoustic traces. The body and movement become tools of relation, and the landscape reveals itself as a shared, situated, and constantly evolving experience.

Terra e fogu is a demonstrative workshop dedicated to the traditional firing of clay over an open flame. Through the lighting of two bonfires, Ilare will guide the audience through the different stages of the process, from preheating to the final firing. A moment of observation and listening that restores the ancestral value of material transformation.

The workshop invites the inhabitants of Pofi to engage in dialogue with the students of the Academy of Fine Arts of Frosinone, sharing family memories and recollections of everyday life: gestures, objects, memories, sensations. Together with the students, these stories will become a large painted canvas, transforming memory into living, collective matter.

The children of the primary school and the elderly residents of the nursing home are involved in an imaginative workshop of speculative archaeology. The artist’s aim is to open a playful dialogue with them in order to give a face and a body to the Goddess Cupra, reconnecting participants with local history and exploring where their imagination may lead them.

Produced for the sixth edition of Una Boccata d’Arte (2025) and created in Miglionico, the work becomes part of the museum’s permanent collection, expanding the project’s artistic itinerary.

Following DJ set by Agostino Quaranta.

The extra-urban territory, often excluded from the dynamics of the art system and the cultural logic of major cities, has taken on greater relevance and interest in recent years, becoming central to contemporary artistic discourse concerned with the urgency of environmental challenges, reflections arising from the COVID-19 pandemic, and the need to rethink the relationship between art, audiences, and territory.